Photo(sensitive)

In the summer of 2015, a photography festival took place in the city of Gent. All throughout the city there were different exhibitions, with work of national and international photographers. The festival is called 80 Days of Summer.

As soon as I knew about this and saw that dr. Guislainmuseum was part of this happening, I grabbed my camera and hopped on a train. After visiting it a few times, I can say that Dr. Guislainmuseum is one of my all time favourite museums.

The main exhibition occupied the grand room of the museum, it’s called ‘Photo(sensitive)‘. 
It roughly shows the history of the relation between psychiatry and photography. Beginning with photography as a form of documentation. They filled a wall with a lot of photographs from that time. 


There are several of these walls throughout the exhibitions. The main theme of the exhibition are portraits, not only people’s faces but also their hands. Their hands can be another indicator to show what they are feeling. The festival, 80 Days of Summer, works around the theme of identity. It looks like this exhibition tries to give these people a sort of identity, that they don’t get lost in time. 

Since the 1960s photography started to fulfill another roll, it was used a way to show the absuses in the psychiatry.

Claudio Cricca, from the series ‘Faceless’

 

Frederik Salomon Meijers was a 19th century psychiatrist and head of a clinic. As I said before, in the 19th century they used photography for documentation of their patients. The work that stayed with me the most and had the most impact was that of Annaleen Lowes. A contemporary photographer who saw something esthetical in Meijers his photographs. In 2010 she made a series where she combined some of her own work with that of Meijers. This shows the contrast between the meanings of each of these photographs. Meijer uses them as a way of categorization, while Lowes uses them to avoid labeling and sees her models as who they are, not as a patient or as a ‘normal’ person. 

Annaleen Lowes (in the back) and Etienne-Jules Marey (in the front)

.

Annaleen Lowes vs. Frederik Salomon Meijer

 

Annaleen Lowes

Adam Broomberg & Oliver Chanarin, selfportrait by Maria, 60, resident at René Vallejo Psychiatric Hospital Camaguey, Cuba (2000)

This was originally published on Our Pursuit of Art

 

 

 

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s